DSMC2 Red Gemini 5K

DSMC2 Red Gemini 5K

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Product: DSMC2 Red Gemini 5K

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Specification
Description

SENSOR TYPE
GEMINI 15.4 Megapixel Dual Sensitivity CMOS

EFFECTIVE PIXELS
5120 × 3000

SENSOR SIZE
30.72 mm × 18 mm (Diagonal: 35.61 mm)

DYNAMIC RANGE
16.5+ stops

MAX DATA RATES
Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

MAX FRAME RATES
75 fps at 5K Full Height 1.7:1 (5120 × 3000)
96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)
120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)

PLAYBACK FRAME RATES (PROJECT TIMEBASE)
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1
3:1 REDCODE at 5K Full Height (5120 × 3000) and 24 fps
6:1 REDCODE at 5K Full Height (5120 × 3000) and 60 fps
2:1 REDCODE at 5K Full Format (5120 × 2700) and 24 fps
8:1 REDCODE at 5K Full Format (5120 × 2700) and 96 fps
2:1 REDCODE at 4K Full Format (4096 × 2160) and 24 fps
6:1 REDCODE at 4K Full Format (4096 × 2160) and 120 fps

REDCODE RAW ACQUISITION FORMATS
5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x
5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRORES
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

AVID CODECS
DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps
DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps
DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

CONSTRUCTION
Aluminum Alloy

WEIGHT
3.35 lbs (BRAIN with Integrated Media Bay)

OPERATING TEMPERATURE
0°C to 40°C (32°F to 104°F)

STORAGE TEMPERATURE
–20°C to 50°C (–4°F to 122°F)

RELATIVE HUMIDITY
0% to 85% non-condensing

COLOR MANAGEMENT
Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing

AUDIO
Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

REMOTE CONTROL
Integrated R.C.P. WiFi antenna
Ethernet, RS232, and GPI Trigger with DSMC2 expander module

MONITOR OUTPUTS
3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

MONITOR OPTIONS
DSMC2 RED Touch 4.7″ LCD, DSMC2 RED Touch 7.0″ LCD and DSMC2 RED EVF (OLED) with cable-free connection.
RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, REDTouch 5.0″ LCD, RED PRO 7″ LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LCD/EVF Adaptor A and LCD/EVF cable.

REDCINE-X PRO DELIVERY FORMATS
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

VIDEO EDITING SOFTWARE COMPATIBILITY
Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

GEMINI OFFERS FLEXIBILITY IN ANY SITUATION
In Low Light mode, GEMINI™ is RED’s highest sensitivity sensor to date, with significantly increased performance in low-light situations and improved performance in shadows due to the new design.

RED cameras deliver stunning resolution and image quality—creating clean and organic images that bring your footage to life. The MONSTRO and HELIUM sensors take the next step in exceeding beauty offered by film – up to 17x more resolution than HD—and over 4x more than 4K. For flexibility in any situation, GEMINI is RED’s highest sensitivity sensor to date and offers significantly increased performance in low-light settings and improved performance in shadows. A DSMC2 BRAIN is capable of data write speeds of 300 MB/s, and can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD.

With features like cable-free peripherals, integrated media bay, wireless control, and more—DSMC2 is also compatible with a growing arsenal of modules and accessories—from RED and other Third-Party manufacturers. Tack on interchangeable OLPFs and lens mounts and DSMC2 gives you the ultimate control over your footage.